Twitter and A Flock of Seagulls, Publishing in a Networked World

I'm not going to name the site that got me starting writing this post. Its a sentiment I've seen on many sites with a traditional publishing orientation. They follow the old tradition from the age of print, where all submitted works are required to be "not published elsewhere," requiring "first print" rights and demanding every "reprint" (copy) should cite the publisher as place of first publication (what is this, vanity?).

These guidelines ignore the reality of the new age of immediacy, of information abundance, of venue abundance, the network. There is no scarcity in publication, there is no value in "first publication" or artificial scarcity on the network. The document is the conversation the conversation is the document. The old publishing world is gone, stop trying to hang on.

The attitude simply does not fit with a universe of networked information being shared and reshared by millions of people, winding its way in bits and pieces and fits and starts through the social network of friends, family, colleagues. The network is the world of social publishing.

Why? Because it is to difficult to find works online among billions of documents and uncounted trillions of ever expanding words. You just can search for things you do not know exist. The social network trades in attention, which is necessary to discover what exists, through your social contacts.

It just does not make sense to "publish" a work to a certain location (or a physical book), then try to get everyone to come read it through clever marketing. It makes no sense to prevent copying, since copies are the method by which information spreads through a social network. The idea of scarcity and exclusivity makes no sense at all in a socially networked world, unless by exclusive you mean being friends with the author.

The network, by the way, does not really need to worry about this issue of citation, since there is usually a trail back to the original author, through a 'retweet path' (if dutifully or automatically maintained) or through carrying authorship information with the work through the social network (as I've talked about here before).

As a poet, nearly every poem I write is immediately published to the social network, so I can't give anyone "first rights" to it, and moreover, that is meaningless. I noticed the Haiku Society of America states, at least for some submissions, " The appearance of poems in online discussion lists or personal Web sites is not considered publication." a much more adaptive policy.

What happens on Twitter is more like a flock of seagulls, making all references to publication, first publication, second publication utterly meaningless, as we tweet to others and they tweet back at us, retweeting and retweeting. I suppose the next thing, is they will want "first tweet" rights. I understand the goal is to keep your publication fresh, but that simply does not fit reality. It says something about a publishing world where the consumer needs to be reassured they are not being "cheated" by recieving old goods, which are turned over from elsewhere, similar to the way "shovelware" became a problem in the 1990s CDROM publishing era. I suppose the same problem exists with bloggers, twitterers, who merely repeat what others write, but I just don't see the problem. In a network world it costs nothing to unfollow or unfriend a source.

Visualization, Flickr and Look Magazine

I was thinking recently about the emergence of visualization as an important trend. Visualization is gaining mindshare rapidly among academics and information technology people. The overwhelming volume of data on the network is prompting this interest in visualization as way coping with this emergent, crushing tidal wave of data. There are billions of digital photographs online. I remember when I could see nearly every historic photograph with online access in week. There are trillions of texts and billions of images. The only way to make sense of this data, the only way to organize and explore this data, may very well be through visualization.

Visualization is not photographs or illustrations. It is making data visible. Numbers, statistics, metadata, information about texts or images, the activity of users, authors, creators, contributors, visitors, etc. It is using visual means to make this kind of statistical data and the architecture of information visible and comprehensible.

I like to think about how to organize and present images and text. I was thinking about visualization in comparison to the way magazines organized text and images. In the heyday of the photographic magazines, the images were the most important thing, so they were printed large and allowed to run freely through margins to the borders of the paper. The texts were small captions. This was an ideal, expressive and easy to comprehend presentation (note that presentation is not visualization). It allowed photo editors to engage in the creation of visual narrative, through the juxtaposition of images. Using montage and arrangement on the page, the editor could create a mood or a story. Although text was secondary, it is essential to understanding the meaning of the content in the images. A photograph is just a jumble of meaningless or misleading objects without context.

It occurred to me, that if a way could be found to tie the presentation of the photo magazine (Life, Look, etc.) to the idea of visualization, it could create a powerful new kind of experience. What if the presentation of pictures and text could be as satisfying and transparent as that of the picture magazines, but the mass of data the pictures and text are drawn from, from a collaborative photo and text site (Flickr, for example), could be exposed and explored through visualization? How could these two elements be combined?

The new manuscript culture

In a 'manuscript' culture, the distinction between written and verbal text is not as sharp as it happens in a culture dependent on printing. It appears we are heading into a new era of manuscript culture as social networked content emerges and comes to dominate, as documents become conversations and conversations become documents. In a manuscript culture, such as the period in the West before the invention of movable type, or in China before printing became universal, manuscripts offered a 'more fluid transfer of information' where the copyist (think of 'retweeting' or sharing information socially), could make changes to the text, purposeful or inadvertent, could leave sections out or add new ones, combine with illustrations (as in illuminated manuscripts, perhaps similar to Storybird).

(References http://goodlifezen.com/wp-content/uploads/2007/11/the-road-to-nowhere.pdf)

A useful poke

I am trying to use Facebook more. I do not have a lot of use for the "poke" tool, which seems a bit childish. I wonder if it would be good to use the Poke method for content? What if you sent someone a book you thought they should read or you wanted to discuss. Sent a link to an ebook? Then they didn't reply. You might poke them about that post of content, not just generally?

Twitter outage creates panic

According to CNN, the twitter outage left users feeling as if they had lost a limb or left home without their cell phone. It is suggested Twitter needs competition to provide alternatives when an outage occurs, as they inevitably will. There were (or are?) a couple of alternative social microblog services available (is jaiku still running?). Of course, this won't help if multiple sites get attacked at once.

What would help is Google Wave. This outage is an incredible opportunity to demonstrate the potential for resiliency a "federated" or distributed social media system has. Content in the Google Wave universe is independent. Every user can have a copy of a bundle of posts, comments, content on their own device. Multiple copies can exist on different servers. It could be possible for a group to continue working, or at least work offline with their content, during an outage and then when connection is reestablished, the changes can be merged back into the conversation. This is what we can do with email now. We can read messages in our inbox (as long as it is not webmail) even when the network is unavailable. We can keep messages around as long as we want. We can write draft replies, take notes, resuse content through quoting or editing the text we recieve and at any time later, forward to others or send the revisions back to the sender.

What did I do during the panic? I just waited for Twitter to come back up. I only post once a day (if I am feeling up to it).

The ugliest Twitter post yet?

New generation of farmers. RT @FMCorg: 40 farmers under 40 http://tr.im/tnjB (via @civileater via @ediblechicago)
about 22 hours ago from web

Things are getting ugly on Twitter. This tweet I posted to @farmfoody is more citation than message. It is filled with gibberish, the "retweet" code and the via's, the cryptic tiny url. Something will have to give and eventually meta data will find its way back to where it belongs, hidden somewhere outside of the message text in the message envelope.

Mixing Conversation and Story

I realize now the real problem I have been working on and off for ten years now is 'conversation' versus 'story', but particularly applicable to journalism. In a way, conversation and story are like oil and water, they do not like to mix. Yet, stories are filled with dialog, or conversations, so why is that journalistic stories cannot contain dialog? Well, when it is an interview, they do. So what we need is a network tool that seamlessly integrates conversation (interview, written dialog, transcript) with story (narrative, reportage, essay and analysis). It looks like Google Wave has the closest technology to achieving this flexible confluence of conversation and story, even the potential for our conversations and stories to be both mobile and distributed. If every smart phone adopted Google Wave, and given that it works similar to email, which mobile computing already provides and is a robust and well-known commodity service, it promises quick adoption avoiding any centralized monopoly.

I envision the same tool could be used by a reporter to do an interview (dialog) and for personal self-expression (dialog, like Twitter, only sharing little bits of information, such as links). An interview consists of dialog, little snippets of information associated by place and time. This has the form of Twitter messages, but a chat application is much better for doing an interview than Twitter, so some new mechanism must be created to accommodate flexible use, moving between story and conversation, between longer and shorter length posts, between collaborative and authored posts.

Is Your Life Poetry or Nihilism?

ReadWriteWeb asks this question. Poetry is reflective. Journalism also should be reflective (if all journalism were like C-SPAN, we would be better off for it). I am sure we could and perhaps will find ways to mine activity feeds for patterns and other useful information. It may find uses in many fields and places in life, perhaps even in medicine. But the real reason why there is so little reflection on the web is simply because the structures and tools of the web encourage shallow interaction, quick posts, short content, quick reads, quick writes. This is an area I've given some thought to and posted to the blog about it.

What is required is not some new gizmo for finding patterns in bits of trivial data, but tools that encourage people to slow down, to be reflective and create meaningful content. My idea presented here has been of a "quick-slow" system. This system would recognize the importance of brief, concise posts when things are happening (like you've just landed safely in an aircraft with the landing gear stuck and want to tell your friends or the world) and longer, slower, more reflective posts. This system would allow users to post concise messages like Twitter does, but those messages could be expanded on, by expanding the text or by associating longer texts with them. The idea is not entirely new. About ten years ago, I played with a prototype application trying to combine blog and wiki elements. Later, I discovered a more successful project to combine blog and wiki, and an application exists called a bliki.

What I propose is a system like Twitter, which retains its immediacy through a connection to text messaging (cell phones) and the "stream of concise posts" format, yet also provides a way to extend those posts in a meaningful way. Perhaps a user's followers could be allowed to edit the extended content, creating a community of editors and contributors.

What we really need is to encourage people who grew up "network native" to slow down and think before the write, or at the very least, if they have to capture an event or thought with quick, impressionist strokes, they or others should be able to return later after reflection to revise. A kind of "slow news" for journalism, akin to the slow foods movement, asking people to sit down and think a while before they write. This may be asking too much for journalism, but a quick-slow approach could support both quick impressions (what's new) and reflection (analysis). Moreover, this could support a collaborative approach that mixes reportage (the initial concise post, possibly with a picture) and analysis (the associated post, perhaps by an analyst).

The poet Basho revised his haiku many times over the years, sometimes refining the wording and other times he would write a new poem, depicting the same experience from a different aspect. This kind of revision and reflection should be encouraged and supported by technology. Haiku are an ideal model. Brief, concise, experiential, yet through juxtaposition and the many hours of careful writing, they convey higher truths.

I see a number of people writing on Twitter in haiku form, quite a few who are just arranging prose in haiku form and really have no understanding of haiku as an art form (poetry has to say something to be poetry, and say it in a way that affects us). I want to be clear, there is a new form of haiku practice emerging on Twitter, which is akin to the the impressionist movement in painting, where haiku are written on the spot and posted to Twitter from a cell phone. This is a new development in haiku, since most haiku are written down long after the poet has left the place of experience (not always, Basho sometimes wrote haiku and left them behind, but nearly all the haiku that reach us were probably revised many times long after he had visited the location). It bears watching.

Trouble in dead trees and inky fingers land

Newspapers and thinking the unthinkable

An excellent analysis of the situation newspaper based journalism is in.

I like the idea of micro-payments for content, such as New York Times articles. The only problem I have with it and why I would be reluctant to use it, is simply that I have to pay for the article before I've read it. Even if I saw an excerpt, it might not be enough to determine whether it is worthwhile or not. A solution for this problem might be found in social networking. I usually read articles my friends share with me (by sending a link in email or chat). I would be much more willing to pay for an article they recommend. Keep the price low and integrate with a social sharing system and it might work as long as the payment is by an "easy button."

The greater problem is content and authorship is changing radically with digital content available through the network, given the unlimited perfect copying and access without distribution. What we are seeing is a working out of the many pieces loosely joined paradigm described a decade ago. The newspaper started as a handwritten piece of paper passed around coffee shops in Enlightened London. I see nothing sacred about its continued existence.

The problem of journalism online is of course that Twitter is the new journalism but the content is too brief, chaotic and frequently idiotic. Micro-blog formats do encourage conciseness and sharp thinking, but they also promote a hyperactive and fragmentary view of subjects. As I wrote in my blog, there needs to be a "slow thought" or "slow news" or such movement (like the Slow Food movement), which you might say is what blogs already give, but not really.

Graphic Recording

I didn't know it, but all my life I've engaged in "graphic recording" when it came to exploring new ideas or learning. I never went as far as the artists who made a series of recordings for the sustainable agriculture and food conference, but my subjects were technical, and I was a technical kid growing up, so my "confections," as Tufte calls them, were more mathematical, graphical and textual in nature. I used them to illustrate things to myself, like working out visually how cycles represent waveforms in musical instruments. Now, I see them as graphic recordings. I was a bit ashamed of them, since I thought it meant that I wasn't a good learner and tried to suppress or limit them. That was a mistake.

The drawings are simply wonderful and I got put onto them by Brenda Dawson who tweeted about the graphical recordings made for the March 29 2009 conference
Inaugural National Symposium on Food Systems and Sustainability at the University of California, Davis. How much better a "presentation" these graphic recordings make than a PowerPoint presentation!

These drawings are a lot like my vision for an information system, called Strands, which would be as thick and filled with complexity as the Talmud and as visually expressive as these graphic recordings. If only the web could be like this. When I think of Twitter and Tabloo, if they could be combined, I think we'd be close. Tabloo enables users to create visual narratives (through the structure and relationship, size and aspects of images) and Twitter enables users to create conversations out of small fragments of thought flowing continually.

Twitter and the Principles of Illusion

It is worth noting the two guiding principles of illusion are "suppressing context" and "preventing reflective analysis" (according to Tufte, in Visual Explanations). The first applies also to the ubiquitous photographic image, nearly all of which appear without context. A situation that apparently few people find troubling. A good example of the phenomena is the iconic image from the Vietnam war of the Viet Cong operative being summarily executed by a village officer. The photographer who took the picture often wished he hadn't because of the damage the image did when used out of context (as was the usual case). Several iconic images from the Vietnam war were frequently presented without context. It was left up to the viewer to interpret and may very well be people at the time did not want to know the context, enabling them to press the image into service of their political aspirations or personal, psychological needs. Visual media is inherently weak at providing context.

The emergence of email, web discussion forums, short messages, video sharing, all network native forms of communication create an environment hostile to reflective analysis. What is needed to alleviate this trend is a movement akin to the "slow foods" movement, perhaps a "slow media" movement, asking people to slow down, consider context and think reflectively within a network information ecosystem. The content of a Twitter stream can be informative, but it can also be trivial, and despite its benefits, it does not encourage reflective analysis. I personally find a tweets (Twitter messages) are frequently a touchstone for an innovative thought, connecting me to something I did not know and probably would not have had someone not passed on an interesting web link or thought out loud. But it would still be nice to pull wisdom from the ether by capturing tweets in some reflective and expandable form.

Although not yet a visual medium, these concise messaging and blogging systems are most attractive to television journalists. A quick turn Twitter before the commercial graces many newscasts. These context free nuggets are ideally suited to a medium described as a "wasteland" and it troubles me that networked content has been so eagerly adopted by television news shows. It points out the need for reflection and context in networked short message content.


I have explored this theme before (see Twitter Wiki, "quick-slow" bliki articles previously). The question is how to accommodate the fragmentary, context free units of networked content and encourage expressions of context and reflection to balance them. It is a daunting task because people often do not see a need for context or reflection and are often unwilling to bother with the story behind a photograph or take time to expand on a short message.

We need to accommodate the uses for which short messages are legitimate and when they are beneficial (such as the conciseness they encourage...concise writing requires reflective analysis before posting, you must know your subject well to pare it down to its essentials and wordiness often just adds confusion...we must be prepared for abuse of longer text forms connected to short text forms). But also we must make it possible for reflection to take place. The "quick-slow" approach to networked content systems encompasses this. We can then turn the two principles to our advantage, by encouraging their opposites context and reflection.

Where are we going?

The issue of whether people should pay for forums or not came up on dpreview. With the current economy, I expect how to pay the bills will be a growing question for many web services.

The problem is with forums there is perfect competition. Anyone can setup a forum and run it for next to nothing. If one forum decides to charge a fee, the users can flee to another forum. The only reason they might stay is because of the audience. For example, photographers pay for to host their photographs on Flickr primarily because it provides a rich audience of people who love to look at still photographs. Flickr is the Life and Look magazine of our time, it is the revival of the great picture magazines, not because of its technology (that helped orient the site in the right direction to succeed, just look at the abject failure of Picasa to be social---too little too late). Flickr just happened to be where most people who like to look at pictures gathered, mostly because of its blog-like streams of every changing pictures and social tools. It is easier to pay a small fee to use Flickr (perhaps even to "read" it) than it would be to overcome the "capital" costs of changing sites. Flickr users have a lot invested in Flickr and it might just cost less to stay and pay than to move elsewhere. Besides, there is no where else to move. The closest thing I could see to Flickr would be for every photographer to put up their own photo blog software and then join photoblogs.org, which would become the "magazine" and "social hub." This is a distributed vision of photo sharing online. I used to wonder which would be successful. But it really was simple, Flickr did it all for you, some for free, a little more for pay, well worth it to promote your photography.

Despite the somewhat juvenile and absurd environment of Flickr with regard to art photography (you know, the dozens of people giving out "Great Photograph" awards to pedestrian, derivative and mediocre images mostly to promote themselves or because they are too young to know what a derivative image is), it is useful to professional photographers and art photographers because Flickr is where the eyeballs are. It attracts people who still love still photography, which in this age of video, is a bit of a miracle that anyone takes an interest in photography. However, photographs can make the world sit still long enough for people to pay attention, and that is a very similar experience to poetry, which at least in part, is there to draw attention to things. I've heard from professional photographers they get an order of magnitude more requests or work through Flickr than through one of the professional portfolio sites.

One reason, perhaps the principal one, Henri Cartier Bresson and other great photographers became well known, was through their images being published in the great picture magazines. When television came along, the picture magazines went into decline. Photojournalism began its long decline at this time, for the simple reason people could learn about their world visually through television, a more attention grabbing (the barrier to entry for television was lower, you didn't have to be intelligent to watch it, a good example where low barrier of entry is destructive to society) and free medium. Without the picture magazines it was no longer possible for a photographer of acknowledged artistic merit to become known and their images have significance in society. The audience was gone. Flickr reestablishes this audience.

So the question still stands. Will people in the future pay for their online content. Pay to create it. Pay to consume it. What is happening now? People are already paying to create content. They pay for a Flickr account with better tools. They pay for services to create graphics, three dee art, property in virtual communities. A few sites charge for reading content, but not many. But given human history and the recent past, when most content was paid for, in newspapers, books and magazines (except for tv), it seems reasonable to assume the free ride will be over someday.

There may be a tipping point when a non-pay site is no longer competitive. When most good content has gone to pay sites and the community of interest for that content willing to pay is consuming all they can (this is what happens with books and magazines today), the other sources will be driven out in a kind of perfect competition. The free sites will be filled with garbage and what passes for content on local cable access.

The network is not the old traditional world of libraries and publishers. It will be different. Project Gutenberg. Open source projects. The collections of enthusiasts sick and tired of the crap shoveled out by the traditional content and software businesses have taken it on their own to produce quality products where the marketplace would not or could not. This is an order of magnitude different than the pre-networked world, where people could not work together, providing little bits of effort or expertise to collaboratively create a cultural artifact. This is entirely new and we don't know where its going.

As an aside, the idea of tipping or donation comes up. Frustrated with no way to fund my original website, I considered taking a modern high tech variation on the PBS approach. I considered (in the 1990s) creating a content management system where each article would have a countdown timer displayed like a reverse donation thermometer. If you didn't contribute something to the article, it would count down, when it reached zero, the page would be pulled from the site. Of course, the ability to cache networked content presents a threat to such schemes, the wayback machine can regurgitate considerable missing content and so can the Google search cache. What about caching? If the Wikipedia were to dry up funding and blow away today, would its content still remain available in a myriad of niches around the network? On people's computers, disks, servers here and there, in caches? Would it evolve another life in a peer to peer environment? Will all information become distributed over billions of cell phones and have no location at all?

Twitter is a 'starfish' enabler

Twitter is a 'starfish' enabler. It's what makes Twitter powerful and empowers those who use Twitter. It puts individuals at the center of the star.

Twitter friends (followers) are more like information flows you choose, organizing the flow of information for yourself and others, curating, editing, creating than other social network friends, which are more passive, something you collect or at most create a space to explore. This is because friends/followers bring content to you automatically. It is the flows of information resulting from following that make Twitter different from other social networks.

I didn't know much about Twitter when we started designing Farmfoody.org and thought it was something to do with short text messages on cell phones. I am currently integrating Twitter into farmfoody.org, after having considered a Facebook social feed model and finding it overly complex and confusing. We need as low a barrier to participation as possible. Farmers don't have time for complex systems, blogging, social feeds with posts and comments and threads and six dfferent types of publishing and bold and italic.

Neither do people standing at a farm stand with a bag of white corn tucked in their arm have time for complexity. It turns out that the social bulletin system we were envisioning two years ago exactly describes the information flows in Twitter. The way your friends (followers) tweets (messages) aggregate on the Twitter homepage is identical to how we envisioned messages from our users collecting on the user's profile page. In our bulletin system, all the friends of a user receive a bulletin, similar to the "homepage" on Twitter, creating an information flow. The only difference is bulletins are like craigslist ads and expire. That original requirement for bulletings to operate as classified ads with an expiration date, similar to craigslist, held us back. I should have looked into Twitter integration then, since we would not have needed to develop one of our own.

A Twitter Wiki

As the popularity of short, fragmentary messages grows, I have become concerned the public conversation may lose the capacity for thoughtfulness and reflection. At the same time, I would like to caution those who condemn Twitter or other systems based on micro content to not throw the baby out with the bath water. The long form newspaper article found in the New York Times or Washington Post contains a lot of material used to provide background for the reader, often at the end of the article. Not only is this text boring and redundant to the knowledgeable reader, it takes up previous space. The one thing the web is good at is connecting one piece of knowledge to a broader context of other pieces of knowledge. There is no sane reason to continue repeating background and further reading material in a long form newspaper article when on the web, a writer can simply link to the information.

The brief, concise texts of micro content can be connected to many other sources of information, some just as concise (a kind of "blizzard" of small pieces connected loosely) as well as to other longer, deeper and reflective sources. This loose, disjoint and connected type of writing is simply the network native way of writing and connecting information. It is beneficial, as long as both kinds of writing and forms of content are available and can be connected.

My concern is really with lowering the barrier of entry, enabling and encouraging those longer, deeper and reflective forms of writing. I recognize that there are benefits from shorter, more concise writing, which leaves redundant, expansive or source material hidden (properly) under a link or conntected through a network of tags or a network of people. Perhaps will will see fewer long texts divided up by headings and sections and more smaller texts connected together through search, tags and linkages into a variety of wholes, determined by the user's interests and needs.

About ten years ago, I was fascinated by the idea of a long text (article, book, etc.) entirely constructed of fragments, similar to the kind of texts you see posted on Twitter today, which could be freely rearranged similar to those magnets used to write poetry on refrigerator doors. I imagined that instead of writing a large text with a single coherent whole, they way books have always been written, the pieces of information on a topic could be combined to create a "book" in innumerable ways by rearranging those pieces.

It would be like taking all the paragraphs in a book, shaking them out on to the floor, and then allowing or enabling those pieces to be rearranged for each reader or interest. The pieces would be tied together by keyword or by search result and only lastly by links. I coded a small prototype application called Strands to test the idea, but work and life caught up with me and I shelved it. I was and am still surprised by the ease and rapidity with which people have adopted Twitter.

Not only are people using Twitter, despite the fragmentary nature of its texts, they are participating creatively in shaping the technology and usage of this kind of system based on fragmentary texts.

The use of tagging emerged spontaneously from the user base. Using "hashtags" brief texts can be connected to media, such as images and video, with the tag at the center of a network of content.

Also, I've noticed users are starting to fit the tag word into their text. Some examples are:

"Young Nebraska farmer explains how limiting direct payments would affect his #farm at www.nefb.org"
(Tweet from http://twitter.com/farmradio)

and

"farmanddairyGet four issues of #Farm and Dairy FREE! Click on the big promo on our home page: http://www.farmanddairy.com/"
(Tweet from http://twitter.com/farmanddairy)

At the heart of my Strands prototype were small texts connected by keywords. I wanted to create the lowest possible barrier of entry, so a user could create a keyword (essentially a tag, I called them "strand words") just by writing it into the text. In this system, what was essentially a tag was created by writing it (texts were scanned on post or edit for the presences of tags and any new ones added to an index), which is hauntingly similar to how people have started using tags on Twitter. They started out adding the tags to the end of a message, but have now begun incorporating them directly into the flow of text. I hesitated to continue working in this direction on Strands, partly because I expected people would find the tags sprinkled through the text troublesome.

My current interest is in providing tools or ideas that will encourage and enable a society addicted to short messages, however beneficial they may be, however native to the networked way of writing and reading in a connected fashion, to engage in greater contextualization and thoughtful reflection, to enable collecting some of the knowledge quickly flying by in the "Twitterverse" into slower, more reflective pools of knowledge, like eddies on the edges of a fast flowing stream.

The first tool I want to build is a "Twitter Wiki" enabling anyone to associate a text of any length with a Tweet and anyone to edit it. If I have the energy, I will post any experiments on my site or at least attempt to describe it.

Social Micro-blogging and bookmarking

It hadn't occurred to me until I saw it being done that social bookmarking and social microblogging are both popular in part because the create flows of information edited and curated by experts.

One good reason to follow the bookmarks of a user belonging to a social bookmarking site is simply it is a source of good information. The bookmarks ought to be high quality and relevant in the expert's topic area.

It makes sense to follow the tweets on the homepage of a user belonging to Twitter (or any microblog system), because they represent a selection, an inclusion, of edited and curated information for free, usually from an expert.

A Twitter homepage combines the posts from a user's followers, which amounts to multiple levels of curation. Suppose a number of people practicing organic farming create Twitter accounts and post information they feel is important. Suppose then an expert in organic farming, perhaps an editor of an organic farming and gardening magazine becomes a Twitter user and then follows the tweets of those practicing organic farming. Suddenly, this user's homepage becomes a fountain of curated knowledge on organic farming.

The same phenomena occurs (without the vertically integrated curation) on social bookmarking sites. A social bookmark system is an example of horizontally integrated curation, since many hands organize, but one result does not necessarily flow into another, progressively filtering content. What if you could follow another person's bookmarks and aggregate the bookmarks of all your followers onto your profile page?

The question presents itself: Where did I go wrong?

I had thought of bookmarking as bookmarking and blogging as blogging, each highly personal, one organizing content for an individual's own use and the other for publishing (in a mostly traditional way, I tended to scoff at the idea of blogs as conversations, but they are, just not as flexible and immediate as microblogs). What I missed about the social aspect was the flows of information they create, which are curated. I envisioned years ago the idea of users collaboratively organizing the content of a website, but that wasn't all that great an achievement, since that is essentially what wiki users have been doing from day one.

I thought about applying it to all the content, thinking perhaps I could Tom Sawyer-like, get others to organize my stuff, but my second thought was, who would want to do that? I think most efforts to get users to organize content will fail and I think most efforts have, except where the social ingredient is in the mix. Collaboratively edited social content sites for news, bookmarks, short messages, do work, but through self interest in the flows of information they create. They become platforms for self-promotion.

There is no incentive for you to come organize my site. Flickr allows users to tag other user's pictures, to essentially organize content for another user, just as I thought would be possible, but I see no evidence it is being used generally. Except for the Flickr Commons, where there exists an incentive to surround historically important images with context, to tell their stories so they will be preserved and meaningful for society, where local historians can demonstrate their knowledge and where self-promotion is possible through the organization of other people's stuff.

Despite seeing the social ingredient at work in wikis and despite seeing the essentially (and pioneering) social organization of the CPAN library, I missed its importance. It's importance comes from the curated flows of information created by the social organizing, editing, contextualizing with narrative, selecting and filtering, that occurs in social media systems.

Twitter as curated news feed

When I follow another Twitter user, their posts (Tweets) are included on my homepage, which is public. This amounts to creating a kind of "newspaper" news feed of content "curated" (selected and managed by me). The problem with this, is for example, that with our farmfoody.org Twitter account (established primarily for communicating announcements to users) is that it could become a kind of "mashup" of farm-food related news by following Twitter users posting on those subjects. However, that would result in clutter and chaos, since there is no way to organize the flow of content onto my homepage.

What is needed, is a way to tag posts. It would be nice if posts could be tagged according to topic and each tag converted to a tab, which would separate the streams of information, so there could be a #farm and a #food tag (using the hashtags convention) and a Farm and Food tab would appear on my homepage, allowing readers to chose the topic they are interested in following. I suppose they could just follow the individual sources, but what is needed is a curated aggregation to enable Twitter users to follow an "edited" flow of information through Twitter (like Reader's Digest?, it might even be possible for Twitter users to give a thumbs up/dn vote on what content should appear in a particular flow or to collaboratively tag).

If I could categorize posts based on farm or food topics, it would be useful to me and my followers. If the users I am following could tag their posts, it would be very similar and I would be relieved of some work (of course, merely following does in a sense create the mix, but it is all jumbled together). It is not important who organizes the content as much as it gets organized with the least effort possible.

I don't know if anyone is working on something like this, but it seems rational that Twitter would be working on some internal mechanisms for organizing that flow. The hashtags solution appears to not be scalable, since it requires following their user account (in order to scan for tags), more of a prototype.

User Curation of the Archive

We need to enable people to curate collections. This means blogging the contents of an archive, which can be as simple as a blogger selecting certain items (by surrogate, typically a picture but also 3D rotatable image or video) and posting them to the blog along with any caption available through the collection's online database. They don't have to say anything original to be useful. The basic requirement is that archives places their collections online, giving access to potential curators outside the archive. Curating is anything a user does to create context for the cultural artifact, commenting, annotating, writing that contextualizes the artifact (like wiki pages).

User curation of the archive helps people feel connected with the archive and its contents. Involving non-academics in the archives is important for the continued existence of an instituation and the collection, the value of which exists partly in the memories of people and in the objects themselves. I learned from genealogy that people only preserve what they care about, and that people care about things when they have meaning, and stories give artifacts meaning.

The context becomes a bigger and bigger net as it grows, bringing in more people from search engines. The effect of this net can be powerful, as I learned soon after getting on the web in 1995. I put a collection of family photographs from the middle 19th century online and within a few months several relatives of the people in the photographs had found them and made contact with me. After over 120 years of separation. This was when the web was very small, the users a very small percentage of the population. My idea to cast a net with the pictures and captions had brought in the catch I desired, helping to identify individuals in the images and reconstruct the family history, both photographic and genealogical.

I was intrigued by a project Social Media Classroom. It shares features with ones we envision for Folkstreams, as a platform for creating access to archives, but we also recognize that our site is mostly used in the classroom and that features of our site are shared with features of a classroom, such as the "contexts" accompanying our films, including transcripts.

Archives will, through online access, become an integral extension of the classroom. There will be less of a distinction between archives and classroom (and the public).